Possible Questions:
Q1. The ending of Much Ado About Nothing can only be viewed as 'not what the audience wants'; this is not resduction at all?
Q2. Does Much Ado About Nothing expose courtly love as ridiculous or problematic?
Q3. Walter N.King claims that 'the proper genre' of Much Ado About Nothing is 'comedy of manners'. Does the play fit into this category?
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